Opus: Prism Peak

It's generally worse than the past OPUS games but okay I guess. The protagonist is a not really likable sad guy. The story is just awkwardly sad throughout, it feels like dollar store sadness that becomes tasteless after a while. I just like the animals, would still recommend for the animals (was about to complain l…

So this is the game that made me play through the series because it looked really interesting. While I can't say I enjoyed the first two, The Day We Found Earth and Rocket of Whispers, their third game, Echo of Starsong was genuinely good despite feeling like the ending came out of nowhere, even if I did like it des…

This is a follow-up to one of my favorite games, OPUS: Echo of Starsong. In a way, it is a more ambitious game: the first fully 3D entry with fully voiced and animated characters. As such, the game has some rougher edges, like controls and performance. I liked the photo mechanic and how deeply it was integrated into…

As someone who has a hard time staying invested in games which are more story-driven than gameplay-driven, OPUS: Prism Peak delivers an experience capable of overcoming that. The gameplay is mostly walking around and taking photos, but SIGONO once again impresses with the lasting emotional impact of the narrative. W…

I loved this game. I played it start to finish over the course of a weekend and enjoyed myself the whole way. Eugene's journey through the Dusklands felt deeply satisfying to me and got me to tear up a couple of times, sometimes unexpectedly, and the story still sang in my heart for hours after the end credits rolle…

A meditative adventure game. The graphics is full 3D with simplified models and animations, but excellent work with color and lighting. Music is excellent and rises to full effect during key moments. The game is fully voiced and prefectly localized to English. The gameplay is based mostly on exploration and photogra…